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We finished out the fall tour, coming home broke as hell and barely speaking to each other. It was hot and miserable and we weren’t exactly getting along, but somehow we managed to finish the basic tracks in the allotted time before going back out on the road that fall.Įarl refused a Production credit since he was in the band, but make no mistake, he definitely was a producer as well as the recording engineer. We recorded the album over two weeks in September of 2000, during a heat wave. We didn’t have a deal, so we couldn’t afford to record it in an actual studio but Cooley’s wife’s family had a uniform shop in downtown Birmingham that agreed to let us record there after hours. Along the way Earl joined the band but still committed to recording the album. Earl was going to produce and engineer it.Īs we toured behind three albums, we worked feverishly on this crazy side-project idea, eventually deciding to make it under our regular band name. Somehow the crazy screenplay idea morphed into the idea of doing a rock opera called Betamax Guillotine. He produced two of our albums along the way. Earl worked sound at various clubs in Athens and bought some mobile recording gear. We hit the road and began touring like madmen, sleeping on floors and playing anywhere that would have us. If I had had any idea the band would have survived more than a few months, I might have been more careful with what I called it, but… For me the other thing included forming a band called Drive-By Truckers. The screenplay made it about as far as a first draft outline before life intervened and we both got busy doing other things. One of us decided to call the fictional band Betamax Guillotine. We didn’t want to use the actual band story because they were famously hard to deal with and life is too short.
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It was April of 1995 (or thereabouts) and the truck didn’t have a radio, so our rambling talk somehow morphed into this idea for a movie about the mythology surrounding a fictitious rock and roll band loosely inspired by stories I knew from growing up in Muscle Shoals and close friends who had worked with Lynyrd Skynyrd in the early days. Earl and I had been friends back home for decades and he was in the process of moving to Athens. The album that became Southern Rock Opera began as an idea for a screenplay, cooked up during a long road trip from Athens Georgia to Florence Alabama in a U-haul truck by myself and Earl Hicks. I booked a fall tour w 75 shows in 90 days and we put that sucker out ourselves on our tiny Soul Dump Records label. I spent the last half of July and all of August working around the clock trying to get SRO released. Did I mention how broke we all were? I ended up homeless the summer before it came out, but fortunately my friend Jenn gave me a storage room to sleep in.
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We had, perhaps intentionally, backed ourselves into a corner and to not deliver would mean that we were basically just full of shit.īy the time David Barbe began mixing it we weren’t even speaking to each other and he literally had to talk me out of quitting my own band one evening. We were broke and in over our heads yet we instinctively knew that if we backed down or couldn’t follow through we were done for and it was all over. Total big fun to write and create.Īctually making it was a fucking nightmare. It was all in fun yet we were deadly serious about it. We slept on people’s floors and accosted them with this crazy idea (as they rolled their eyes or occasionally got excited about it). We would talk about this crazy project to entertain ourselves in the van while touring behind Gangstabilly, Pizza Deliverance and the live Alabama Ass Whuppin’ albums.
Kendrick lamar good kid maad city zip google drive how to#
Writing it and figuring out how to play it (and how to play like that and attempt to sing like that) was like a game we played together as we did other things. Beginning over a year before DBT was even formed. There was a six year timeline on the creation of Betamax Guillotine (as Southern Rock Opera was originally called). Drive-By Truckers - Southern Rock Opera at 20!
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